Read about how BODYSONNET co-directors Mio, Sean, and Moscelyne met and stayed connected after Juilliard.
BodySonnet dance collective embodies history at Chesterwood
Write up for the Juilliard Journal on life in the "real world!"
In the spirit of the collaboration that makes Senior Production happen, we’ve created a collage of responses five of the students—a mix of third-years and fourth-years—gave us about the experience.
Each fall, Juilliard dancers and composers have a unique opportunity to work together. During their third year, dance students who display promise in choreography are chosen to each create a work with a Juilliard composer that will be performed by second-year dancers; the composers are a mix of undergraduate and master’s students. ChoreoComp, the popular name of the Choreographers and Composers class, culminates in two days of performances. A few weeks into the process, several of the choreographer-composer pairs talked about their collaborations.
In Angel Reapers, the bizarre utopia of the Shaker community is conveyed through rhythm, a cappella singing, and movement sequences. A collaboration that blurs the lines between drama, musical theater, and dance, Angel Reapers was created by playwright Alfred Uhry and Martha Clarke (BFA ’65, dance) more than a decade ago and first seen in New York City in 2011; a reworking of it was at the Signature Theatre in 2016.